• Princess Giuliana Pubblicola Santacroce
  • Princess Giuliana Pubblicola Santacroce
  • Princess Giuliana Pubblicola Santacroce
  • Princess Giuliana Pubblicola Santacroce
  • Princess Giuliana Pubblicola Santacroce - 1
  • Princess Giuliana Pubblicola Santacroce - 2
  • Princess Giuliana Pubblicola Santacroce - 3
  • Princess Giuliana Pubblicola Santacroce - 4

Princess Giuliana Pubblicola Santacroce

Date
1791
Object type
painting
Technique
oil
Material
canvas
Dimensions
95,5 x 79,2 cm
Acquisition date
1792
Location
The Palace on the Isle - Picture Gallery, ground floor
Marks and inscriptions
signed and dated Angelica Kauffmann pinx: Romae 1791 on left, near shoulder red number 1808 of the Stanisław August collection, bottom right (twice)
Place of Origin
Rome (Italy)
Owner
The Royal Łazienki
Museum number
ŁKr 855
More parametrów obiektu

Giuliana Pubblicola Santacroce (after 1746–1814), came from the Florentine Falconieri family; in 1767 she married Prince Antonio Pubblicola Santacroce. In 1790 the Primate—and King Stanisław August’s brother—Michał Poniatowski travelled to Rome and met her through Cardinal François-Joachim de Pierre de Bernis, the French ambassador to Rome, with whom Giuliana had a liaison which lasted for many years.Through the intermediary of Poniatowski, the Princess’ brother, Lelio Falconieri, was awarded the Order of the White Eagle a year later, on 3 May 1791, by Stanisław August. The portrait by Angelika Kauffmann was an expression of gratitude for the Polish king’s gesture … .

Princess Santacroce is depicted as the virtuous Roman Lucretia, who unable to bear shame, chose to die by her own hand. A somewhat unusual and intriguing detail in this conventional portrayal is the hazy outline of a mysterious hand which seizes the Princess’ right hand in which she is holding a dagger. In an emphatic letter to Giuliana Santacroce dated 21 March 1782 Stanislaw August wrote: ‘Quand j’ai appercu sur le tableau cette main aérienne, qui paroit vouloir retenir le bras armé du poignard, j’ai cru sentir que la mienne se portait vouloir d’elle même à faire la même chose…’ … . [See D. Juszczak, H. Małachowicz, The Stanisław August Collection of Paintings at the Royal Łazienki. Catalogue, Royal Łazienki Museum, Warsaw 2016, no. 54, pp. 213–215.]

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